This is the samples of virtual piano.
" | Virtual Piano http://www.pablosoftwaresolutions.com/html/virtual_piano.html |
software- http://www.pablosoftwaresolutions.com/
" | Virtual Piano http://www.pablosoftwaresolutions.com/html/virtual_piano.html |
Jaw Harps or Jews Harps
Jaw harps or jew’s harp are found in many cultures around the world, and were a popular 'personal' instrument, in that they could be carried in a pocket easily and played whenever the player has an inkling for music. Most jaw harps are very quiet instruments played alone or in duets, however some European metal jaw harps are made very loud to be played in ensembles with other instruments. Although many sources claim that the term Jews harp has no racial connotations, in certain regions it did carry racial connotations, so this site will use the term jaw harp. Included are mostly bamboo or palm leaf instruments not found elsewhere on the web, and some very rare instruments collected throughout Asia. There are two main categories to these jaw harps, those that are activated by plucking the tongue or lamella, and those that are tension harps activated by pulling a string. In many cases both of these types can be found in the same region, or within close proximity to each other. The following jaw harps are found on this site:
Ankuoc - Kampuchea
Ata - Thailand
Bungkau - Sabah
Dan Moi - Vietnam
Genggong - Bali
Gerudeng - Sarawak
Giwong- Philippines
Rangguin - Malaysia
Refer to "http://www.asza.com/ihm.shtml"
The musical instruments of peninsular Malaysia can be classified into 4 categories. Aerofons are wind instruments. Cordofons are stringed instruments which are either plucked or bowed. Idiofons are percussive instruments which are struck or shaken. Membranofons, the largest group, are the drums and get their name from the skin or membrane which is stretched over the instrument to produce its sound when struck. For example : Serunai: The end-blown pipe is ubiquitous in Asia. It is believed to have originated from Palestine in the Middle East sometime during the 2nd century. It is a double reed instrument varying in length from 12 to 18 inches, and constructed from a variety of wood such as batang lada, lemab and nangka. Its three main parts are the kepala (head), batang (stem) and pipit (mouth piece). The instrument’s body is adorned with intricate carvings and painted in red, green, gold and black.
1. Piphat Ensemble.
Piphat Ensemble with hard sticks. Consist of Pi (Thai Oboe), Ranard Taom, Kong
Wong, Ching (Small hard cymbals), Klong (Drum). This band is usually play outdoor because Ranard is specially use hard sticks to play for loud noise.
Piphat Ensemble with feeble sticks. This band has the instruments as the Piphat Ensemble with hard sticks. But use Klui instead of Pi and add Saw Aou. When the player use feeble sticks with Ranard, it makes delightnes and it both suitable for indoor. We usually plays in special occasions or funeral.
Piphat Maun Ensemble. Use the instruments as aforementioned ensembles but use Pi Maun (Peguan Oboe) instead of Pi Zthai Oboe) and add Maun Kong (Peguan Drum) and seven Pung Mangs. This band usually plays for the funeral.
2. Thai String Ensemble is consist or Klui (Recd), Saw Sam Sai (Bowed lute), Saw Duang, Saw Aou, Ton, Ranard, Ching and charb
3. Mahori Ensemble. This band is united by the main instruments from Piphat Ensemble (Use Ranard Taom} Khong) and the instruments from Thai String Ensemble become one. The band X usually plays in special occasions." http://home.iirt.net/~rtab/thai_music_en.html